Thursday, 8 September 2011
Wednesday, 31 August 2011
Fernand Léger
Fragmentation of the pictorial surface, distortion of the perspectival space and contrast of dimensions, a preference for peripheral or close-up vision, f flattening of volumes, disappearance of the background which gets the whole pictorial content of the picture to unfurl on a single level... The presentation of the object or figure based on several contradictory simultaneous viewpoints produces an impression that the object is revolving on its own axis.
Contraste de formes 1913
Tuesday, 30 August 2011
Moï Ver
Moï Ver Paris. 80 photographies, 1931
"Photography, which is until recently had a merely illustrative and documentary value, has proceeded to research of a plastic nature, which is extremely interesting. It is indisputably the cinema that blazed the trail for photography; but, by that it 'keeps,' that it 'fixes' stereotyping, it seems to me somewhat contray to the cinematographic 'fact' which is moveable and successive by definition", wrote Fernand Léger in his preface to Moï Ver's Paris. Through the thickness of the book and in the processing of he pages the photographer rediscovers the relationships of succession perculiar to the cinema.
"Photography, which is until recently had a merely illustrative and documentary value, has proceeded to research of a plastic nature, which is extremely interesting. It is indisputably the cinema that blazed the trail for photography; but, by that it 'keeps,' that it 'fixes' stereotyping, it seems to me somewhat contray to the cinematographic 'fact' which is moveable and successive by definition", wrote Fernand Léger in his preface to Moï Ver's Paris. Through the thickness of the book and in the processing of he pages the photographer rediscovers the relationships of succession perculiar to the cinema.
Fernand Léger and Dudley Murphy: Ballet Mécanique (1924)
In Fenand Léger and Dudley Murphey's Ballet Mécanique (1924) we see animated cut out of Charlie Chaplin in a sequence called "Charlot cubiste". Esther Leslie in Hollywood Flatlands noted that the film featured close-ups of domestic items. "The simple act of close-up in itself" Leslie observes, "acted as an animation of objects , an endowment with life and personality" (2002, p.20).
Unfortunately this does not feature the score by George Antheil with was described as a "futuristic score of the mechanical era", a piece of musical engineering. .
Monday, 29 August 2011
Sunday, 28 August 2011
Diego Kuffer
I have just discovered the work of Brazilian photographer Diego Kuffer
In Transit 12
In Transit 14
Diego Kuffer Photographic Portfolio: http://www.diegokuffer.com.br/
Deconstructed Cubist Photography [Pics]: http://www.psfk.com/2010/12/deconstructed-cubist-photography-pics.html
THE WIND-UP BIRD CHRONICLE - film footage
Film footage from Stephen Earnhart's multimedia stage production based on the international best-selling novel by Haruki Murakami, first presented at The Public Theater's "Under the Radar Festival," New York City. Footage was later used as projection elements during live production.
Subscribe to:
Posts (Atom)

















