When going through the Saturday Guardian (26.06.10), I came across an article discussing the work Wolfgang Tillmans. He was an artist I had seemingly ignored despite the fact that he had a high profile: he did win the Turner Prize in 2000.
half page
Installation view, Regen Projects
October 23 - December 6, 2008
Installation view, Regen Projects
October 23 - December 6, 2008
I was interested in the critical response Tillmans received, which was on the whole negative. It seemed at odds with our pluralistic times. Tillmans’ work, especially in the nineties “used magazines particularly the street style magazine i-D as one of his outlets for his pictures while exhibiting in contemporary art galleries in London, New York and Cologne” (Jobey 2010 p. 16). One can I think, without reading the reviews, understand Adrian Searle’s position, but I am surprised by Matthew Collings’ dismissal of Tillmans’ work.
half page
Installation view, Regen Projects
October 23 - December 6, 2008
Installation view, Regen Projects
October 23 - December 6, 2008
My own felling about Tillmans work is rather ambiguous. However, what drew my attention were his influences. Tillmans is quoted as saying that “all the art that touched me was lens-generated, like Richter, or Polke, Rauschenberg, Warhol” and “of course Dada and Kurt Schwitters” (Jobey 2010 p. 16).
Silver Installation VII 2009
The Guardian reports on Tillmans’ shift towards abstraction. The production of large inject prints seems to be a bold move. The images he produced “have taken on a spectacular and seductive presence in his installations… like works of a latter-day abstract expressionist” (p.17).
Serpentine Gallery, London, 26 Jun - 29 Aug 2010
While part of his work “developed towards abstraction, another took a more political route” (p.17). In a series of collages titled Truth Study Center, Tillmans “drew attention to the exercise of power behind ideologies of Islamic fundamentalism, Catholicism, Capitalism” (p.17).
.
Serpentine Gallery, London, 26 Jun - 29 Aug 2010
He is quoted as saying “I know that this won’t change the world. But then again I think the most important thing is to start doing something” (p.17)
Sources:
Jobey, J. (2010) "Wolfgang Tillmans: the lightness of being" The Guardian, Saturday 26 June 2010
Jobey, J. (2010) "Wolfgang Tillmans: the lightness of being" The Guardian, Saturday 26 June 2010
Available from World Wide Web: <http://www.guardian.co.uk/artanddesign/2010/jun/26/wolfgang-tillmans-serpentine-photographs-exhibition > [last accessed 27/06/10]
No comments:
Post a Comment