I am particularly fascinated by the combination of real objects and there traces: in shadow or projected. Some of the figures in Magic, Murder and the Weather recall the blueprint figure pictures that Rauschenberg did, usually in collaboration with Susan Weil, in the late 1940s and early fifties.
Above all her work shows what can be imaginatively done with photography in terms of how we interface with it.
Three Cornered House
Mortal Remains
Green Earth's End
The Twelve Keys:

Vessel:
'Vessel' installation panel image no.39
'Vessel' installation panel image no.13
Magic, Murder and the Weather:
Bluebeard series no.3
Bluebeard series no. 4

Bluebeard series no. 6

Magic, Murder and the Weather installation shot, detail of What Came Picking Jessamine series
Eye of Heaven:

01 'Eye of Heaven' part i. installation shot at MAC


Eye of Heaven series i no.02
The Almond Tree:


'The Almond Tree' part i. lightbox image 02
'The Almond Tree' part i. lightbox image 03

Electric Light Series

States of Matter exhibition Folly Gallery 'Elecro-Light' series
Resurrection Stories

Projection image 01-blood flow lungs and heart


Sources:
Tracy Holland's official site: http://www.traceyholland.co.uk/
My own review of the exhibition Magic, Murder and the Weather and Pat McCarthy's Now Wait for Last Year, (both commissioned by Leeds Metropolitan University Gallery 2001) can be seen at Culture Wars: http://www.culturewars.org.uk/2001-7/hollandmccarthy.htm
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