Fragmentation of the pictorial surface, distortion of the perspectival space and contrast of dimensions, a preference for peripheral or close-up vision, f flattening of volumes, disappearance of the background which gets the whole pictorial content of the picture to unfurl on a single level... The presentation of the object or figure based on several contradictory simultaneous viewpoints produces an impression that the object is revolving on its own axis.
Contraste de formes 1913
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