Fernand Léger

Fragmentation of the pictorial surface, distortion of the perspectival space and contrast of dimensions, a preference for peripheral or close-up vision,  f flattening of volumes, disappearance of the background  which gets the whole pictorial content of the picture to unfurl on a single level... The presentation of the object or figure based on several contradictory simultaneous viewpoints produces an impression that the object is revolving on its own axis. 

Contraste de formes 1913

Fernand Léger and Dudley Murphy: Ballet Mécanique (1924)

In Fenand Léger and Dudley Murphey's Ballet Mécanique (1924) we see  animated cut out of Charlie Chaplin in a sequence called "Charlot cubiste". Esther Leslie in Hollywood Flatlands noted that the film featured close-ups of domestic items. "The simple act of close-up in itself" Leslie observes, "acted as an animation of objects , an endowment with  life and personality" (2002, p.20).

Unfortunately this does not feature the score by George Antheil with was described as a "futuristic score of the mechanical era", a piece of musical engineering. .