Richard Diebenkorn

Heidigger once described the brush stroke as an abyss suspended above the form. Derrida used this description to describe the line (Gilbert-Rolfe, 1995, p. 87).

Untitled, (The Ocean Park) , 1972
gouache on paper

Untitled (Ocean Park), by Richard Diebenkorn, ink, acrylic and graphite on paper, 29 by 21 1/4 inches, 1974


I have mentioned Diebenkorn once in a post in terms of the colour I applied to a painting that I subsequently scanned. The mixing of lamp black and Prussian blue is a mix of of colours used by Cezanne and Diebenkorn. Gilbert-Rolfe compared Diebenkorn to Cezanne and described the bluish black used by the two artists as the "deepest and most unfathomable colour available to the imagination, the colour of the night sky, colour of the bottomless pit" (1995 p. 87). Gibert-Rolfe in his description of Diebenkorn Ocean Park drawings describes the lines as having a depth that is atmospheric and "a fathomlessness of blackness presented in the line". He goes on to say that the line acts as a "boundary " that "subdivides and organises through subdivision the uncertainty of atmosphere- as in the case with both drawing and writing in general, blackness bringing meaning to whiteness, night organizing day" (p. 90)

Gilbert-Rolfe, J. (1995) Beyond Piety: Critical Essays on the Visual Arts 1986-1993, New York and Cambridge: Cambridge University Press